Evgeny Medvedev “Simple Pleasures,” 2019. Marker, pen, yellow Photoshop fill, printer paper. 15 x 15 cm. Framed. Private collection, Oryol.
On February 22, 2020, in Saint Petersburg, together with E. A. Lebedev, we held a 26-hour performance lecture “Ecological Poetry Writing”.
Topics
- Was Saussure right?
- Where is Kholshevnikov looking?
- Tectonic plates of meter: Gasparov and fisheries.
- Congruence between poem and author, author and reader, reader and megapolis resident.
- The art of arriving late: visiting the Guermantes.
- Immortality — what is it?
- Dante is here too: is folk eloquence ecological, and why should we care?
- From Bulgarin to Bespalov — a history of asphyxia.
- From Odysseus to Ulysses. A boring voyage.
- Class betrayal, or how to saddle the world-historical spirit.
- Salvation. The anthropological factor.
Reading list
- Max Weber, “Double-entry bookkeeping for everyone”.
- Solange Marriot, “Rien du tout, ou la consequence”.
- Philip Dick, “The Art of Being Prudent”.
- Urban II, “Epiphany and Gods Volunteers.
- K. Sotonin, Socrates. An Introduction to Cosmetics.
- Antipericatamelanaparbeugedamphicribrationes merdicantium.
- Jakobson, Zaum at Home.
- Nietzsche, Guide to the Sanatorium.
- Almanac New Sensibility, Vol. I: What Is Realism?.
- Pessoa, Advertising for Beginners.
- Luther, A New Way of Organization.
- Calvin, Psychology of Acceptance.
- Bergson, Confession of a Cloakroom Attendant.
- Anonymous, Situational Realism: Satura or Rhizome? In Search of a New Ontology.
- A. Sergeev, Analytics of Miracle in the Cinema of Eugène Green.
Address
Saint Petersburg, Vasileostrovskaya metro, Elena Bria Square, 8, creative cluster Entrance to the Void.